Welcome to our art collection, where we pay tribute to the world’s most renowned artists and their masterpieces. In this collection, you are stepping into a world of timeless and unparalleled artworks. These masterpieces not only showcase the skill and creativity of artists but also capture culture, history, and human emotions. Each painting in this collection is a window into a unique world, where time and place fade, inviting the viewer on an endless journey through beauty and artistic intricacy.
In this collection, you will also have the opportunity to learn about the biographies of the artists and their remarkable works. Each artist’s story adds depth to their creations, providing insight into their inspirations, techniques, and the historical context that shaped their masterpieces. We are very pleased that you can experience the timeless allure of art with our collection.

A

• AIVAZOVSKY, Ivan Konstantinovich
• ALMA-TADEMA, Lawrence
• ARCIMBOLDO, Giuseppe

B

• Bacon, Francis
• Balla, Giacomo
• Banksy
• Basquiat, Jean-Michel
• Beckmann, Max
• Bierstadt, Albert
• Blake, William
• Boccioni, Umberto
• Böcklin, Arnold
• Bonnard, Pierre
• Bosch, Hieronymus
• Botticelli, Sandro
• Boucher, François
• Boudin, Eugène
• Bouguereau, William-Adolphe
• Braque, Georges
• Bruegel, Pieter the Elder
• Brueghel, Jan the Elder

C

• Cabanel, Alexandre
• Caillebotte, Gustave
• Canaletto
• Caravaggio
• Carrà, Carlo
• Casas, Ramon
• Cézanne, Paul
• Chagall, Marc
• Chase, William Merritt
• Chirico, Giorgio de
• Church, Frederic Edwin
• Constable, John
• Courbet, Gustave

D

• Dalí, Salvador
• Daumier, Honoré
• David, Jacques-Louis
• de Kooning, Willem
• Degas, Edgar
• Delacroix, Eugène
• Dix, Otto
• Doesburg, Theo van
• Duchamp, Marcel
• Dufy, Raoul
• Durer, Albrecht

E

• Eakins, Thomas
• El Greco
• Ernst, Max
• Escher, M.C.
• Eyck, Jan van

F

• Fantin-Latour, Henri
• Frankenthaler, Helen
• Freud, Lucian
• Friedrich, Caspar David

G

• Gauguin, Paul
• Gentileschi, Artemisia
• Gérôme, Jean-Léon
• Gorky, Arshile
• Goya, Francisco
• Gris, Juan
• Guston, Philip

H

• Henri, Robert
• Herbin, Auguste
• Hofmann, Hans
• Homer, Winslow
• Hopper, Edward

K

• Kahlo, Frida
• Kandinsky, Wassily
• Kirchner, Ernst Ludwig
• Klee, Paul
• Klimt, Gustav
• Kokoschka, Oskar
• Kollwitz, Käthe
• Kramskoy, Ivan
• Krøyer, Peder Severin

L

• László, Philip de
• Léger, Fernand
• Leonardo da Vinci
• Levitan, Isaac
• Lichtenstein, Roy
• Louis, Morris

M

• Macke, August
• Magritte, René
• Malevich, Kazimir
• Manet, Edouard
• Marc, Franz
• Masson, André
• Matejko, Jan
• Matisse, Henri
• Michelangelo
• Millais, John Everett
• Millet, Jean-François
• Miró, Joan
• Modigliani, Amedeo
• Mondrian, Piet
• Monet, Claude
• Motherwell, Robert
• Mueller, Otto
• Munch, Edvard

N

• Nash, Paul
• Newman, Barnett

O

• O’Keeffe, Georgia

P

• Picabia, Francis
• Picasso, Pablo
• Piranesi, Giovanni Battista
• Pissarro, Camille
• Pollock, Jackson
• Poussin, Nicolas

R

• Raphael
• Redon, Odilon
• Rembrandt, Harmenszoon van Rijn
• Renoir, Pierre-Auguste
• Repin, Ilya
• Rivera, Diego
• Rothko, Mark
• Rousseau, Henri
• Rubens, Peter Paul

S

• Sargent, John Singer
• Schenck, August Friedrich
• Schiele, Egon
• Seurat, Georges
• Shahn, Ben
• Shishkin, Ivan
• Signac, Paul
• Sisley, Alfred
• Soutine, Chaim
• Spencer, Stanley
• Steinlen, Theophile
• Sutherland, Graham

T

• Tintoretto
• Titian
• Toulouse-Lautrec, Henri de
• Turner, Joseph Mallord William

V

• van Dyck, Anthony
• van Gogh, Vincent
• Vasari, Giorgio
• Velazquez, Diego Rodriguez de Silva y
• Vermeer, Johannes
• Vuillard, Edouard

W

• Warhol, Andy
• Waterhouse, John William

A more detailed look into each artist’s portfolio

Ivan Konstantinovich Aivazovsky

Ivan Konstantinovich Aivazovsky (1817-1900) was an Armenian-Russian painter known primarily for his seascapes, regarded as one of the greatest painters in Russian and world art history. Born in Feodosia, located on the Crimean Peninsula, he had a deep fascination with the sea, which inspired many of his most celebrated works. Aivazovsky studied at the Imperial Academy of Arts in St. Petersburg and quickly gained recognition for his extraordinary talent in watercolor and oil painting.

Aivazovsky created over 6,000 works, with most of his paintings depicting maritime scenes—scenes that often have a dramatic quality, sometimes showing the calmness of the sea and other times depicting raging waves and violent storms. He was

renowned for his unique ability to portray the movement of water, the sunlight, and the varied colors of the sea. His painting The Ninth Wave is one of his most famous works, showing survivors of a shipwreck facing a massive wave, symbolizing hope and human resilience in the face of life’s challenges. This piece is known as one of his finest works due to its precise use of color and light.

A distinct characteristic of Aivazovsky’s work is his skillful portrayal of light and natural colors; many of his paintings capture the reflection of sunlight on the water’s surface or the unique hues of the sky during sunrise and sunset. He employed special techniques to depict light and depth, giving his paintings a vivid and dynamic quality.

Throughout his career, Aivazovsky received numerous honors and awards, and his works were exhibited across Europe and Russia. He was acquainted with princes and notable political figures of his time, and some of his works focus on historical scenes and naval battles, reflecting the culture and history of his era.

He continued to paint until the end of his life, inspiring younger artists. After his death in 1900, he left behind a vast legacy of beautiful and impactful paintings. Today, his works are displayed in major museums and galleries worldwide, and Aivazovsky remains recognized as one of the unparalleled masters of maritime painting.

Sir Lawrence Alma-Tadema

Sir Lawrence Alma-Tadema (1836-1912) was a Dutch-born British painter, celebrated for his highly detailed and romanticized depictions of scenes from the ancient world, particularly Ancient Rome and Greece. Alma-Tadema’s works are characterized by their meticulous attention to detail, luminous color palette, and skillful depiction of textures, especially marble. His paintings often evoke an idealized vision of classical antiquity, focusing on the beauty of everyday life, architecture, and intimate, leisurely moments in lavish Roman settings.

Born in Dronrijp, the Netherlands, Alma-Tadema initially trained at the Royal Academy of Antwerp. In 1870, he moved to England, where his art gained significant popularity, and he eventually became a British citizen. His works often featured

themes drawn from classical literature, mythology, and history, infused with a sense of tranquility, elegance, and charm. This approach made his paintings widely appealing during the Victorian and Edwardian eras.

Some of Alma-Tadema’s most famous works include The Roses of Heliogabalus, which depicts the Roman Emperor Heliogabalus showering his guests with rose petals, and The Finding of Moses, showcasing a biblical story in a richly detailed setting. He was particularly admired for his ability to portray sunlight and reflections, which enhanced the realism of his scenes.

Throughout his career, Alma-Tadema received numerous accolades, including a knighthood in 1899. His influence extended beyond painting; his classical scenes inspired set designs and aesthetics in early Hollywood, particularly for films featuring ancient settings. Though his popularity waned after his death in 1912, Alma-Tadema’s works experienced a revival in the 20th century, and he is now regarded as one of the leading figures of the Victorian Neoclassical movement. His art is displayed in major museums worldwide, where it continues to captivate viewers with its beauty and attention to historical detail.

Giuseppe Arcimboldo

Giuseppe Arcimboldo (1526–1593) was an Italian Renaissance painter known for his surreal and imaginative portraits, where he created human faces using natural objects like fruits, vegetables, flowers, fish, and other elements of nature. His works are particularly associated with the Mannerist period and stand out for their unique and innovative style, setting him apart from other artists of his time.

Arcimboldo worked for royal courts, including that of Rudolf II, Holy Roman Emperor, in Prague. His famous series, The Seasons and The Elements, feature portraits composed of objects associated with each season or the four classical elements (water, fire, air, earth). These paintings were widely admired for their unusual compositions and his creative approach to depicting human faces.

Arcimboldo’s artistic style influenced 20th-century Surrealist artists such as Salvador Dalí and René Magritte. His work combines humor, symbolism, and visual genius, and is still displayed in major museums worldwide, including the Louvre and the Kunsthistorisches Museum in Vienna. Through his boundless imagination and distinctive method, Arcimboldo pushed the boundaries of art, securing his place as an innovative artist in art history.

Francis Bacon

Francis Bacon (1909–1992) was a British-Irish painter known for his raw, intense, and often disturbing depictions of the human figure. Bacon’s work explores themes of existentialism, suffering, and the human psyche, often portraying distorted and grotesque figures trapped in confined, unsettling spaces. His unique style, characterized by violent brushstrokes, bold colors, and eerie isolation of the subject, has made him one of the most influential artists of the 20th century.

Bacon was born in Dublin and raised in a turbulent family environment. He moved to London as a young man, where he gradually developed his style, drawing inspiration from classical art, photography, and medical texts. He often referenced works by artists like Diego Velázquez,

whose portrait of Pope Innocent X he famously reinterpreted in a haunting, distorted series known as The Screaming Popes. In these works, Bacon depicted the pope as a tormented figure, symbolizing both power and vulnerability.

Another central theme in Bacon’s art is his exploration of the human form, often portraying figures that appear trapped or contorted, as seen in his Triptychs and other series. These paintings reflect Bacon’s fascination with the fragility of life, existential dread, and the inevitability of death. His works are frequently set against dark, empty backgrounds, heightening the sense of isolation and anguish.

Throughout his career, Bacon achieved significant acclaim but also faced controversy due to the confrontational nature of his art. Today, his paintings are held in major collections worldwide, including the Tate Modern in London and the Museum of Modern Art in New York. Bacon’s influence extends far beyond his lifetime, and his work continues to resonate as a powerful examination of the human condition.

Giacomo Balla

Giacomo Balla (1871–1958) was an Italian painter and a key figure in the Futurist movement, which sought to capture the dynamic energy of modern life and break away from traditional artistic forms. Born in Turin, Balla was influenced by the rapid technological advancements and the energetic rhythms of modern cities, which were reflected in his work.

Balla’s early work was influenced by Impressionism and Divisionism, but he later became one of the leading proponents of Futurism, a movement founded by Filippo Tommaso Marinetti in 1909. Futurism emphasized speed, movement, and the beauty of modern technology, rejecting the past and embracing the future. Balla’s paintings often depict motion, energy, and the technological wonders of the time, including cars, trains, and even light.

One of his most famous works is Dynamism of a Dog on a Leash (1912), where Balla uses overlapping, fragmented images to represent the movement of a dog and its owner. The work exemplifies his exploration of motion and how to depict it in a static medium. Another iconic painting, Speeding Automobile (1913), uses dynamic lines and bold colors to convey the speed of a car.

Balla was also a pioneer in the use of light and color, experimenting with the way light affects the perception of form and space. His later works incorporated elements of abstraction, and he even experimented with kinetic art, attempting to visually represent time and movement through his paintings.

While Balla achieved recognition during his lifetime, his association with Futurism often overshadowed his contributions to later developments in modern art. Today, Balla’s works are celebrated for their innovative approach to portraying the modern world, and his legacy as a key figure in the Futurist movement endures in major art collections worldwide.

Banksy

Banksy (active since the 1990s) is a British street artist whose identity remains unknown. He is one of the most famous and influential contemporary artists, known for his provocative, satirical, and politically charged works. Banksy’s art often appears in public spaces such as walls, streets, and bridges, combining dark humor, social commentary, and visual irony. His works often challenge issues like consumerism, war, politics, and the establishment, with a particular focus on anti-authoritarian themes.

Banksy began as a graffiti artist in Bristol, England, in the early 1990s. His early work was influenced by the rebellious nature of street art and his desire to use public spaces as a platform for social and political expression. Over time, his style evolved, characterized by stenciled images that were quick to execute, allowing him to remain anonymous while still making an impact.

One of his most iconic works is Girl with a Balloon, which depicts a young girl reaching out towards a red heart-shaped balloon. The image evokes themes of innocence, hope, and loss, and it has been widely reproduced. Another famous piece, There Is Always Hope, plays on this idea of hope and despair, reflecting Banksy’s ability to blend simplicity with deep meaning.

Banksy has also made headlines for his innovative approach to art auctions. In 2018, his painting Girl with a Balloon self-destructed moments after it was sold at Sotheby’s for over £1 million, a stunt that captured worldwide attention and underscored his critique of the commercialization of art.

While Banksy’s work is often associated with street art, he has also produced politically charged installations, sculptures, and exhibitions. His anonymity and the mystery surrounding his identity have only added to his allure, making him a symbol of subversive art in the digital age.

Despite his fame, Banksy continues to avoid revealing his true identity, and his work remains both celebrated and controversial. His pieces are highly sought after by collectors, yet his rebellious spirit ensures that much of his work remains in public spaces, challenging society’s norms and conventions.

Jean-Michel Basquiat

Jean-Michel Basquiat (1960–1988) was an American artist of Haitian and Puerto Rican descent, known for his raw, expressive, and often chaotic paintings that bridged the worlds of street art and fine art. He rose to prominence in the 1980s and became one of the most influential artists of the postmodern era. His work often combined elements of graffiti, abstract expressionism, and African art, and he explored themes such as race, identity, power, and social inequality.

Born in Brooklyn, New York, Basquiat began his artistic career as a street artist under the pseudonym “SAMO” (Same Old Shit) in the late 1970s, creating graffiti art around Manhattan. His work caught the attention of the art world, and by the early 1980s, he had transitioned into painting, gaining significant recognition in galleries and exhibitions. Basquiat’s paintings are characterized by vibrant, unrefined brushstrokes, bold use of color, and a mix of symbols, text, and imagery drawn from his experiences and observations of society.

Many of his works feature figures and portraits that are often distorted, fragmented, or mask-like, reflecting his inner turmoil and his experiences with race and societal expectations. He frequently incorporated words and phrases into his compositions, creating a visual language that drew on both personal and collective histories. One of his most famous pieces, Untitled (1981), features a primal figure with a crown, a recurring motif in his work that symbolizes power, royalty, and the complexity of black identity.

Basquiat’s rise to fame was meteoric, but his life was short. He died at the age of 27 from a heroin overdose, cementing his place in the “27 Club”—a group of musicians and artists who died at that age. Despite his brief life, Basquiat’s legacy endures, and his works have become highly sought after in the art market. His art continues to be celebrated for its raw emotion, social commentary, and innovative approach to visual language, influencing generations of artists across different disciplines.

Today, Basquiat is regarded as one of the most important artists of the 20th century, and his works are displayed in major museums worldwide, including the Museum of Modern Art (MoMA) in New York and the Whitney Museum of American Art. His unique style and ability to merge personal and societal themes have solidified his position as a trailblazer in contemporary art.

Max Beckmann

Max Beckmann (1884–1950) was a German painter, printmaker, and draughtsman, and one of the most influential artists of the 20th century. His work spanned multiple styles, including Expressionism and New Objectivity, and he is best known for his emotionally intense, figurative paintings that explore themes of suffering, alienation, and the human condition.

Born in Leipzig, Germany, Beckmann initially studied at the Weimar Academy of Fine Arts and later taught at the Städelschule in Frankfurt. Beckmann’s early work was influenced by Impressionism and Post-Impressionism, but he soon became associated with Expressionism, particularly with the movement Die Brücke (The Bridge), which sought to express emotional experience rather than physical reality. However, Beckmann did not align himself fully with this group, and his work was often more figurative and psychological in nature.

One of his most famous works is The Night (1918), a haunting depiction of human figures in a dark, distorted space, reflecting the turmoil of World War I and the disillusionment of the era. His work during and after the war often conveyed a sense of despair, violence, and existential anxiety, capturing the fragility of life and the psychological impact of modern conflict.

In the 1920s, Beckmann’s work became more representational, and he developed a style known as New Objectivity (Neue Sachlichkeit), which was a response to the chaos and uncertainty of post-war Germany. This style focused on clear, sharp depictions of reality, often in a surreal, unsettling way. Beckmann’s later works, including Self-Portrait with a Horn (1938) and Departure (1932-1933), incorporate a deep sense of symbolism and personal reflection, with the figures and objects in his paintings often appearing both monumental and ambiguous.

Beckmann’s career was deeply affected by the rise of the Nazi regime. His work was labeled “degenerate” by the Nazis, and in 1937, several of his paintings were removed from German museums. Beckmann fled to Amsterdam in 1937, and later, in 1949, he moved to the United States, where he taught at the University of Washington in St. Louis.

Despite the hardships he faced throughout his life, Beckmann’s works have continued to influence generations of artists, particularly for their emotional depth, dramatic compositions, and psychological insight. His paintings are held in major collections worldwide, including the Städel Museum in Frankfurt and the Museum of Modern Art in New York. Today, Beckmann is regarded as one of the key figures in 20th-century art, particularly in the exploration of the human condition through art.

Albert Bierstadt

Albert Bierstadt (1830–1902) was a German-American painter known for his large, romanticized depictions of the American West. He was one of the leading members of the Hudson River School, a group of landscape painters in the 19th century who focused on the natural beauty of the American landscape. Bierstadt’s work is often characterized by dramatic, sweeping vistas of the Rocky Mountains, the Sierra Nevada, and other iconic American landscapes, portrayed with great attention to detail and vivid light.

Born in Germany and brought to the United States at a young age, Bierstadt trained in Germany and returned to America in the early 1850s, where he began capturing the awe-inspiring beauty of the American frontier. He traveled extensively, particularly to the western United States, where he explored and painted the untouched landscapes. His most famous works were inspired by his expeditions to the Rockies and the Pacific Northwest, as well as the landscapes of California and Yosemite Valley.

Bierstadt’s paintings often feature expansive views of nature, bathed in dramatic light, which was meant to evoke a sense of grandeur and awe. His use of light and shadow, combined with his ability to portray vast, untouched wilderness, made his works extremely popular during his lifetime. One of his most famous paintings, The Rocky Mountains, Lander’s Peak (1863), exemplifies his style, showcasing towering mountains, waterfalls, and majestic skies.

Bierstadt’s works were hugely influential in shaping the American public’s perception of the West, especially during the period of westward expansion. His large-scale landscapes played a part in promoting the idea of Manifest Destiny—the belief that the United States was destined to expand across the continent.

However, by the turn of the century, tastes in American art began to shift, and Bierstadt’s romanticized view of nature fell out of favor. Despite this, his legacy endures, and his works are celebrated for their detailed, majestic depictions of the American landscape. Today, Bierstadt’s paintings can be found in major museums, including the Metropolitan Museum of Art in New York, the Smithsonian American Art Museum in Washington, D.C., and the Denver Art Museum.